World Premiere of "The White Chip" at MRT (Lowell MA)

Sean Daniels’ autobiographical, dark comedy, “The White Chip”, shares his past struggles with alcoholism, the science of addiction and his path to recovery. Though it sounds like this story could easily be an hour and a half depressing lecture, Daniels approaches the topic with wit and humor that captures and holds the audiences’ attention.

Cast of "The White Chip" (photo credit: MRT)

Writing an autobiographical play about a very difficult time in one’s life can be a terrifying experience. Not only that but having the play performed in front of an audience of your neighbors, colleagues, friends and patrons; it’s no wonder Daniels was a bit anxious about this one. In sharing his story he becomes the voice that he needed, but didn’t hear, in his own darkest moments, and through this wonderfully written play he is that voice for others in the midst of their struggle with addiction.

Fantastically directed by Sheryl Kaller three incredible actors bring this play to life. Jeffrey Binder, as Sean, is dynamic, captivating and delivers an emotionally charged performance. In the first few minutes of the play he grabs the audiences’ attention and when they start laughing, I realize this play is not going to be what I expected; it’s going to be better. Isabel Keating and Benjamin Evett round out the trio playing a variety of characters including: Sean’s parents, wife, others in recovery, co-workers, and the list goes on. Their ability to portray so many vital people in Sean’s life ties the story together perfectly. The connection between this cast is unparalleled and it demonstrates their 100% commitment to sharing this important, timely and culturally relevant story.

The technical aspects of this production really helped put it on a whole other level. Projections, designed by Aaron Rhyne, and illustrations, by Julie Felise Dubiner, added both realism and amusement to the play.

While this play was funny at times and sad at others, throughout it offered the audience a glimpse into the world of addiction from the addicts’ point of view rather than that of a bystander. This play is unlike any I have ever read or seen and I believe it is being performed at exactly the right time based on our country’s current drug overdose crisis. It epitomizes the notion that something good can come from something bad. There can be life after addiction and Sean Daniels is living proof of that fact. 

“The White Chip” plays at Merrimack Repertory Theatre (Lowell, MA) until January 31^st 2016 with performances Wednesdays through Sundays. Tickets and more information can be found at www.mrt.org/whitechip.

 

Review “It’s a Wonderful Life: A Live Radio Play” at Merrimack Repertory Theatre (Lowell, MA)

Photo Credit: Merrimack Repertory Theatre

“It’s a Wonderful Life: A Live Radio Play”, adapted by Joe Landry, is a presentation of the classic film as a 1940’s radio drama. The story of George Bailey comes to life as five talented actors gather around microphones to voice over 40 characters and create superb sound effects live onstage. The audience itself plays the role of the live studio audience and is encouraged from the start to react to the story as it plays out to “help the listeners at home fully enjoy the story”.  The radio station, WMRT, brought the audience, many of whom could have been around during the glory days of radio programing, back in time to a Christmas Eve performance of one of the most beloved holiday stories.  

A large part of the play includes the cast creating live sound effects; everything from crunching snow to wind to splashing water to moving vehicles in addition to a few dozen other effects. Each of these was executed effortlessly and skillfully by the cast. Amanda Williams did a fantastic job as Scenic Designer creating a detailed and prop filled set that was fully utilized throughout the play. Together with Sound Designer Jonathan Mastro and Lighting Designer Carter Miller they masterfully created a realistic and fully functional radio station stage that gave the cast everything they needed to brilliantly bring this story to life.

The five incredibly talented actors were directed by Megan Sandberg-Zakian and include Jason Bowen, Joel Colodner, Veronika Duerr, Nael Nacer and Celeste Oliva. Each actor delivered unique characterizations and vocal diversity for each of their various characters throughout the play. As a group they worked together seamlessly and were wonderfully dynamic and compelling. From the moment they walked on stage they captured the audience’s attention and it wasn’t long before they captured their hearts with their magnificent performances.

The play, running at 90 minutes with no intermission, flew by and fully enthralled the audience from start to finish.  Simply put this show will make you laugh, make you cry and warm your heart on the coldest of winter nights.

“It’s a Wonderful Life: A Live Radio Play” plays at Merrimack Repertory Theatre until December 20th. Tickets range from $60-$23 and are selling fast so don’t hesitate to book your seats for this must see holiday production.  To purchase tickets or find more information check out www.mrt.org/wonderful or call 978-654-4678.

Review of ‘The Producers’ at J-ART @ the Jewish Cultural Center (Springfield, MA)

Cast of 'The Producers' (Photo Credit J-ART)

‘The Producers’ is a multiple Tony award winning musical from the comedic mind of Mel Brooks. It is a farce style musical comedy meaning that most of the show is over the top. So when community theatre group J-ART at the JCC decided to put such a huge hit on their stage they knew it would be a challenge to pull off. Unfortunately, the production did not entirely live up to the hype it created for itself in its playbill, though I do agree that it was a unique night at the theatre.

The show, accompanied by a five piece orchestra, began its performance to a moderately full audience who seemed to really enjoy the show. The first area that could have been focused on a bit more was that of the sound. Though the orchestra was small, at times their volume overpowered the vocals. Many, if not all, cast members were wearing individual mics which often times were either set too loud for some or not high enough for others. This made not only hearing, but understanding each character a bit more challenging. However, I will commend the cast for being able to project their voices into the space rather than rely on the microphone to do all the work. Secondly, often times the choreography came across unrefined as certain dancers looked uncomfortable and seemed to lack confidence with the steps. I would suggest that if dancers are not confident they can perform certain moves cleanly and correctly that the moves be changed in order to have a polished final product.

The ensemble, all of whom played many roles throughout the performance, overall did a good job. Portraying multiple characters is not an easy task, but this group took on the challenge, and though some characters were not convincing, others were very well done. Two of those well done characters were portrayed by Steven Grabowski, as Franz, and Kevin Lempke, as lead storm trooper.  Steven’s portrayal of German playwright Franz was energetic and highly amusing. Kevin’s vocals during “Springtime for Hitler (part 1)” were a wonderful highlight within the production.

The lead roles of Max Bialystock and Leopold Bloom were nicely done by dynamic duo Austin Kopp, as Max, and Chris Rojas, as Leo. They played off each other very well throughout the performance and it was clear they worked hard on their comedic timing as they consistently hit their punch lines just right. Austin’s comedic talent shined brightest in his solo song in Act 2 entitled “Betrayed”. This song is very upbeat and not only vocally challenging but physically challenging as well. Austin did a great job not only remembering the extensive amount of lyrics, but his vocal and physical performance during the number made it a hilarious audience favorite.

The perfectly cast Chris Rojas, as Leopold Bloom, was a consistent highlight of the production. From the moment he walked on the stage he had the audience engaged in the story and steadily chuckling. He made clear character choices, embodying his neurotic character, and stuck to his choices from start to finish. He nailed all aspects of the physical comedy he attempted. Looking like a young Matthew Broderick, who originated the role on Broadway in 2001, certainly didn’t hurt.

Overall, this production was a unique experience that the audience highly enjoyed. ‘The Producers’ can be seen on stage until November 22^nd at the Springfield Jewish Cultural Center. For more information or tickets visit https://www.springfieldjcc.org/events/theproducerspresen/.

Review ‘The Love of the Nightingale’ at Hub Theatre Company of Boston (MA)

There are times when I walk into a production unsure of what I am about to experience and wondering if it will meet my expectations or fall short. Rarely does a show surpass my expectations, but the production of ‘The Love of the Nightingale’ I experienced this past weekend was one of those rare shows. I walked into the theatre knowing I would be seeing a darker drama, but what I didn’t expect was that it would be so compelling, thought-provoking and poignant in relation to today’s society.

‘The Love of the Nightingale’ written by Timberlake Wertenbaker and fantastically directed by Rebecca Bradshaw is a play based on Book VI of the Roman poet Ovid’s epic verse narrative Metamorphoses; which was itself adapted from earlier Greek tales of people transformed by the gods. It focuses on the lives of King Tereus, his wife Procne and her sister Philomele and is a tale about love, lies, vengeance and the cost of silence. The show included original music created by Bahar Royaee which added depth and power to the production. Strategically placed choreography, by Tyler Catanella, not only enhanced, but when combined with the original music, was a driving force within the show.

Bridgette Hayes as Procne courtesy The Hub Theatre Company

The entire cast was wonderfully unified, clearly showing just how much dedication they had for their characters and the story they were telling. My one critique is that multiple times during the performance certain actors seemed thrown off by the close proximity of the audience which resulted in them shifting their eyes and losing focus of their current scene. Nonetheless, they worked together seamlessly from the start to draw the audience into the world of the story.

One performer that never lost focus and was a fierce force to be reckoned with was Bridgette Hayes as Procne. From start to finish she was a powerhouse performer delivering a wide range of emotional depth and smart character choices. Other actors delivering notable performances were Jeff Marcus who was a cunning and deceitful Tereus and Lauren Elias as the sweet and naïve Philomele. The cast also included Liz Adams (Niobe), Aina Adler (Helen/Nurse), Rachel Belleman (Hero/Aphrodite), Blyss Cleveland (Iris/Chorus), Scot Colford (1^st Soldier/Thesaus/ Male Ensemble), Jenny Leopold (Queen/ June), Ryan MacPherson (Captain/Male Ensemble), Will Madden (2^nd Soldier/ Hippolytus/Male Ensemble), Eric McGowan (Greek Chorus/Male Ensemble), George Page (King Pandion/Male Ensemble), Shanie Schwartzman (Echo/Phaedre/ Servant), and Edan Zinn (Itys).

Overall, this production was well put on by a consistently connected cast. The message about the high cost of silence and the need to find the power of one’s voice was clearly portrayed by this talented group of actors. The 90 minute, thought-provoking play ‘The Love of the Nightingale’ is being performed through November 21^st at First Church Boston located at 66 Marlborough Street, Boston, MA.  For more information and tickets visit http://www.hubtheatreboston.org/. Due to the complex and adult subject matter it is a play for a mature audience. Tickets for all shows are set as “pay-what-you-can”; therefore there is no reason not to go see this production!

From Left to Right in the foreground of the photo: Jeff Marcus (Tereus) & Will Madden (2nd Soldier/ Hippolytus/Male Ensemble) courtesy The Hub Theatre Company