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This
world premiere production of Vichet Chum’s compelling play, “KNYUM”, invites
the audience on a journey of discovery. Written and performed by Vichet Chum, Chum
portrays Guy, a hotel clerk who works the night shift while studying Khmer, the
language of Cambodia.
In
his quest to learn his family’s native language in preparation for their
upcoming trip to Cambodia, Guy delves into the horrific history that brought
his parents to America in the first place. In learning about the past and better
understanding his parents, he is able to more fully appreciate where he is, how
he got there, and the future he is being guided towards. He dreams of writing
stories about the Cambodian people, but in order to do that he must know the
language as they do.
Before
the play even begins the audiences’ interest is peaked when they hear a
recorded curtain speech. In and of itself it may not seem like anything out of
the ordinary, but this curtain speech plays in English and then in Khmer. This artistic
choice prepares the audience for hearing the language throughout the play. As
Lowell Massachusetts is home to the second-largest Cambodian community in the
United States, it makes sense that members of this community may attend a play
written by a Cambodian American. And when they do, hearing the curtain speech
in their native language I’m sure is something they don’t experience all the
time. Personally, I can only recall a few instances where a curtain speech was
said in any language other than English, so I found it to be a welcomed
surprise.
The
scenic design by Dan Conway at first seems simple with clean lines and a
neutral color palette. It was easily believable as a hotel lobby; minimalistic
with simple furnishings and few props. Where it surprises us is in the use of
projections by designer Jon Haas. Projection screens cover the surfaces of the
columns, walls, and reception desk on and above the stage. They transform
throughout the play showing us the streets of New York, pictures of Guy’s
family, and ultimately of the Cambodia he travels to. The use of projections
takes Chum’s storytelling to the next level of transformative theatre.
Directed
by KJ Sanchez, Chum has great use of the stage. He very much seemed at home on
the set and in that space. As Guy, he was engaging and he quickly grabbed the
audiences’ attention. In no time, they were chuckling at his anecdotes and
imitations of the people in his life. He shared an emotional story of survival
from when his parents had to flee Cambodia decades earlier. He was visibly
fuming with rage when discussing the war and the work camps his family was sent
to. He shared his passion for creating a story with Cambodian characters that
would stand the test of time and shine a light on a part of the world many know
little about. Chum was naturally charismatic and amusing. Every part of his
portrayal was genuine. The final moments of this play are quietly some of the
most powerful as he finally holds what he’s been chasing in his dreams for so
long. His last word says it all.
I’m
not going to divulge any more details than that, because this is one of those
plays you just need to experience for yourself. I will say that Chum’s
performance of his beautifully poetic play was well deserving of the standing
ovation he received from the captivated audience. © ‘KNYUM’ plays at Merrimack
Repertory Theatre, located at 50 East Merrimack Street Lowell, MA, until
February 4th, 2018. Tickets
range from $73-$26 with discounts available for groups, students, seniors,
Lowell residents, and military service members. To purchase tickets or find
more information visit www.mrt.org or call
978-654-4678.
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Tuesday, January 23, 2018
KNYUM at Merrimack Repertory Theatre is transformative storytelling at its best (Lowell, MA)
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