Director
Jonathan Croy has once again delivered: with a wonderful production of William
Shakespeare’s The Two Gentlemen of Verona.
This comedy is about friendship, betrayal, fathers, their grown children, and
the transfixing power of love. It is the story of a young couple in love:
Proteus and Julia, Proteus’ best friend Valentine, who finds a love of his own
in fair Sylvia, two concerned fathers, an undesired suitor, a few servants who
always seem to be finding themselves having to talk sense into their masters,
and three outlaws who make things even more exciting. This production mashes
Shakespeare and Company veterans with newcomers in an entertaining and
thrilling show.
Ryan Winkles and Thomas Brazzle. The Two Gentlemen of Verona, Rehearsal. Shakespeare & Company 2016. Photo by Ava G. Lindenmaier. |
The
set design by Kris Stone featured a royal blue painted stage with a white
flourishing design on opposite ends and included a trap door which was used in
creative ways throughout the play. Another prominent, scenic element was the beautiful
LED lite clouds that surrounded the space. They changed color as the scenes
changed and different characters appeared on stage. For example, when Julia or
Sylvia were prominent on stage the colors were pink and purple whereas when
Valentine and other male characters were on stage the colors were most often
blue, green or white.
Luke
Reed composed original music for this production including a very fun and funny,
updated version of “Who is Sylvia?” set to his original music using
Shakespeare’s lyrics. The number was fantastically performed by the cast who
danced and sang back-up in the aisles, while Proteus (Thomas Brazzle) sang
lead. This number and its hilarity were further exemplified by the funky lighting,
designed by Matthew Miller, and ever-changing cloud colors. They turned the
mood of the scene into a groovy, club-like atmosphere then immediately went
back to the time period of the play when the song was over. This version
re-engaged the audience in the 2nd half of the show and was
delightfully enjoyed.
Company
veteran Ryan Winkles delivered a fantastic performance of Valentine. His
glasses and many facial expressions showed his character to be young, at times
naïve, but full of joy and excitement for life and love. Having last seen him
in the title role of last season’s Henry
V, it was wonderful to see him in an entirely different and comedic role. His characterization of Valentine was so
vastly different and superbly well done that it’s no wonder he has become an
audience favorite over the years. His love interest Sylvia was portrayed by
Cloteal L. Horne. As Sylvia, she was feminine and flirty, but also
strong-willed and steadfast in her beliefs and choices. Sylvia was so fervently
in love with Valentine that she would not be swayed by any other man or her
father’s wishes. Her father, the Duke, was played by Erick Avari with energy
and wit.
Thomas
Brazzle, as Proteus, showed a range of strength, humor, passion and agony in
his portrayal. Where some may have played the role one sided, he fully embraced
the character’s positive attributes as well as his flaws and faults to deliver
a well-rounded and realistic young man. His first love, Julia, was beautifully,
emotionally, and fiercely portrayed by Kate Abbruzzese. Julia is so in love with
Proteus that she decides to disguise herself as a man to go and see him, but
the man she finds was not the one whom she’d fallen for and she finds herself
confused and brokenhearted. The final scene between them was genuinely moving
and leaves us to wonder, “Is love enough?”
A
highlight from act one was the incredibly fast and yet clearly spoken lines
between Speed (Jason Asprey) and Proteus (Thomas Brazzle). They were excellently
executed and highly amusing. Asprey continued to appeal to the audience in his humorous
role throughout the play and was terrific in his use of and interaction with
them. John Hadden as Launce and his beautiful white dog Ella, as Crab, were
greatly enjoyed by all. Ella, of course, received applause after every
successful scene on stage.
Rounding
out the cast were Peter Anderson (Panthino/Admiral Johan Stephensen), Michael
Fuchs (Antonio/Host), Deaon Griffin-Pressley (Attendant/Outlaw Billy Bob Jr.),
Tamara Hickey (Lucetta), Shahar Isaac (Sir Eglamour), Bella Merlin (Outlaw Lizzy
“The Bodkin” Burnett), and Dylan Wittrock (Sir Thurio).
An
unexpected fight scene towards the end of the production really showed the
emotional range of this play. One moment, the characters are friendly and laughing,
the next, they are angry and attacking each other. The ending was very powerful
and it allowed this comedy to end differently than some might expect.
The
comedic timing of this dynamic cast was fantastic throughout. They were
actively listening to each other and reacting, not just saying their lines,
thus showing the level of skill, talent, effort and time they put into this
production. It was very entertaining and well deserved the standing ovation it
received.
It’s
been said, the audience often wants of a play: comedy, love and a bit with a
dog. And this play certainly delivers all three. The Two Gentlemen of Verona is playing in the Tina Packer Playhouse
until September 4th and runs approximately 2 hours and 40 minutes including
intermission. Tickets and more information can be found at www.shakespeare.org.
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