Entering their sixth season, Fresh
Ink Theatre brings us the World Premiere of Laura Neill’s Don’t Give Up the Ship. The play follows Diana, a middle-aged
mother of two, who wakes up as Commodore Oliver Hazard Perry, hero of the War of
1812. In learning from the past, Diana finds her courage to take control of her
life, discover who she really is and who she’s meant to be. Neill’s writing is
fast-paced, multi-dimensional, and humorous. Her characters are complex, and
true to life. While the core of this story is heavy and at times emotional,
Neill’s colorful and witty humor is sprinkled throughout. Directed by Joshua
Glenn-Kayden, the five member cast magnificently brings this unique story to
life.
The intimate Plaza Blackbox, part of
the Boston Center for the Arts, was well utilized with simple, but meaningful nautical
décor, and necessary props and set pieces. The scenic design was done by Madelynne
Hays with props by Kelly Smith and Julia Fioravanti. The sound design by Andrew
Duncan Will, assisted by Matthew Goode, added an additional layer of complexity
to the production. The lighting was purposefully designed by Harrison Pearse
Burke and added depth and clarity to Diana’s moments of delusions or dreams. Each
technical aspect worked in sync with the writing, characters and emotional
tones of the play.
Plunged into darkness as the show began,
the packed audience was surrounded by the thunderous sounds of an ocean storm and
crashing waves. It silenced the outside thoughts of the viewers and immediately
engulfed them into the world of the play. The cast featured Alex Alexander as
Diana, Tonasia Jones as her daughter Martha, Louise Hamill as her other
daughter Olive, Hayley Spivey as her nurse Lizzie, and Robert Cope as her
ex-husband Jeff. As a whole, they had
great chemistry and were believable and relatable. Alexander displayed both
strength and vulnerability as she portrayed the Commodore and Diana. Jones
delivered many snappy one-liners with fantastic comedic timing. As Olive, Hamill
was gentle and sympathetic, but also a fierce protector of her mother. Lizzie
was dynamically portrayed by Spivey; who also had great comedic timing. As Jeff,
Cope was distressed with his ex-wife’s condition, but clearly willing to do
whatever he could to help his daughters and be with them when they needed him
most. This ensemble play was wonderfully brought to life by these actors who
were perfectly cast as these richly layered characters.
One entertaining aspect of this show
was that it didn’t play out as the audience might have anticipated. Almost
never does a show capture my attention and keep my focus for its duration, but
this show did. The rest of the audience was fully captivated as well by what
was being played out mere feet in front of them. They were vocally supportive
of the cast and seemed to very much enjoy the performance. The story is full of
adventure, family drama, and love. Overall, it’s a highly entertaining production
that is certainly worth attending. ©
The
show runs approximately 90 minutes with one 10 minute intermission and is
suitable for an adult audience. The
play is performing at the Boston Center for the Arts’ Plaza Blackbox, in downtown
Boston, February 10th-25th with performances Wednesday & Thursday at
7:30pm, Fridays & Saturdays at 8pm, and matinees Saturday 2/18 and 2/25 at
2pm. Tickets are General Admission for $25 with matinee performances $25 online
or Pay-What-You-Want at the door ($6 min). Groups of 8 or more get $5 off. For
more information or to purchase tickets online visit: www.freshinktheatre.org/dont-give-up-the-ship/ or http://www.bostontheatrescene.com/season/Dont-Give-Up-the-Ship/
Special
events for the show include:
--Cheap Date Night on Wednesday, February 15th and 22nd -
Buy One Ticket, Get One Free, online only with code DATE
--Playwright's Night on Thursday, February 16th and 23nd with a Tootsie Pop Talk following the performance
--Pay-What-You-Want performances ($6 min) at the 2pm matinees on Saturday, February 18th and 25th
--Playwright's Night on Thursday, February 16th and 23nd with a Tootsie Pop Talk following the performance
--Pay-What-You-Want performances ($6 min) at the 2pm matinees on Saturday, February 18th and 25th
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