Courtesy Stoneham Theatre |
Opening
their 17th season, Stoneham Theatre presents the musical murder
mystery farce Lucky Stiff. It is based
on the book “The Man Who Broke the Bank at Monte Carlo” by Michael Butterworth,
with music by Stephen Flaherty and book and lyrics by Lynn Ahrens. It is the comical
story of an unhappy shoe salesman who learns that he will inherit six million
dollars from his recently deceased uncle, whom he never met, if he follows his uncle’s
last wishes to the letter. Little does he realize that those last wishes
include a trip to Monte Carlo with his embalmed uncle, whom he must pass off as
alive for the duration of the trip in order to claim the inheritance. To
complicate his task even further, if he does not follow these last requests the
money will go to the Universal Dog Home of Brooklyn. Directed by Caitlin
Lowans, choreographed by Ilyse Robbins and music directed and conducted by
Bethany Aiken, this production features a fantastic ten person cast who, with energy
and excitement, bring this outlandish story to life.
The
scenic design by Jon Savage was creatively utilized throughout the production.
It featured walls of boxes, which at the start, seemed to only make sense in
the shoe store. But as the show progressed walls were moved, hidden
compartments were revealed, trap doors popped up, doors swung open to reveal
the band and a bed slid out from the bottom of the main wall. The set was truly
a part of the show in a refreshing and intriguing way. The cast and crew seamlessly
transformed it from one scene and location to the next with simple, yet effective
alterations.
The
cast features Andrew Barbato as shoe salesman Harry Witherspoon who must take
the corpse of his uncle on vacation to Monte Carlo. Barbato was charming,
amusing and delivered solid vocals throughout the production. The body he rolls
around in a wheelchair was convincingly portrayed by John O’Neil who managed to
stay frozen and lifeless. He never broke his dead character by smirking when he
heard something funny, or reacting when someone lifted his arms or hands or
moved his head. Rita LaPorta and her brother Vinnie DiRuzzio were incredibly
played by Ceit M. Zweil and Mark Linehan. Their comedic timing was spot on,
their sibling relationship was believable and very funny, and their vocals were
top notch. Their duet in act one: “Rita’s Confession” was supremely well done
and an instant audience favorite. Linehan’s “The Phone Call”, later in act one,
was hilarious. As Rita, Zweil was the quintessential New Jersey housewife, with
just the right amount of seductress and feistiness paired with powerhouse
vocals that made her performance one of the highlights in this production.
Annabel
Glick, a representative of the Universal Dog Home of Brooklyn, was sent to
Monte Carlo to spy on Harry Witherspoon and to wait for him to make a mistake
so her organization would get the inheritance. As played by Lizzie Milanovich, she was quirky
with a dash of sass that paired nicely with Barbato’s portrayal of Witherspoon.
The cast was rounded out by Thomas Derrah as Luigi Gaudi, Bryan Miner as
Emcee/Ensemble, Jade Wheeler as Dominique du Monaco/ Ensemble, Samantha Richert
as Landlady/Ensemble, and Stewart Evan Smith Jr. as Solicitor/Ensemble. Both
Miner and Wheeler showcased their vocals in the Club Continentale with their featured musical numbers “Monte Carlo”
and “Speaking French”. The ensemble was wonderful in their many different roles;
as they often added to the hilarity on stage which in turn increased the
laughter coming from the audience. ©
This
farce is a truly enjoyable two hour escape at the theatre. Lucky Stiff plays at the Stoneham Theatre through September 25th.
More information can be found at https://www.stonehamtheatre.org/lucky-stiff.html.
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