The cast of North Shore Music Theatre's production of Monty Python's SPAMALOT. Photo © Paul Lyden. |
Based
on the outlandish humor of Monty Python and affectionately ripped off from the film
Monty Python and the Holy Grail, this
2005 Tony Award winner for Best Musical is the story of King Arthur, his
Knights of the Round Table, and their quest for the Holy Grail. The book and
lyrics were written by Eric Idle, who was also one of the original writers of
the film’s screenplay. The memorable
music was written by Eric Idle and John Du Prez.
This
production was cleverly directed and choreographed by Billy Sprague Jr. to suit
North Shore’s in-the-round theatre. It
features bright and functional, yet realistic costumes from Mark Nagle that
shine against the simplistic set design from Michael M. Harvey. I particularly
liked that the stage was painted to look like stone and easily took on the
appearance of the round table mentioned in the show. In addition, projector
screens were used for animated clips at various times throughout the show. Music
director Jesse Warkentin conducted the ten person orchestra while often actively
participating in the humor with a number of bits that are unique to this
production.
In
his curtain speech, owner and producer Bill Hanney told the audience to
“prepare to sprain your funny bone” and while I thought this was a bold
statement to make, it turned out to be quite true for many audience members;
especially those familiar with Monty Python’s farcical comedy style. While the
audience enjoyed most numbers, there were a few that received uproarious
laughter and/or applause. The first was “I’m Not Dead Yet” lead by Not Dead
Fred, played by Sean Bell, whose portrayal was hilarious. Bell also played the
Historian, French Guard, Minstrel and Prince Herbert, each with unique
characterizations and vocal variation, but all with supreme comedic timing and
talent. He was easily an audience favorite.
Al Bundonis (King Arthur) and Brad Bradley (Patsy).Photo © Paul Lyden. |
Another was Brad Bradley, as King
Arthur’s sidekick Patsy. Last seen as Bert in NSMT’s production of Mary Poppins, I was thrilled to see him
back for this production in a role that he was understudy for in the original
Broadway production. As Patsy, his
characterization and vocals were perfection and he fantastically led “Always
Look on the Bright Side of Life”. His interactions with King Arthur, remarkably
played by Al Bundonis, were delightful to watch as they were both amusing and
heartwarming. The Knights were wonderfully portrayed by James Beaman as Sir
Robin, Jonathan Gregg as Sir Lancelot, and J.D. Daw as Sir Dennis Galahad. All
three each played two additional roles with similar gusto.
The
Lady of the Lake was stunningly played by Haley Swindal. Though her vocals in
“Knights of the Round Table”, at times, lacked support and control, she handled
the vocal Olympics rather well, especially considering it is one of the most
complex and challenging songs in the show; particularly for the Lady of the
Lake part. Minutes later however, in “Find Your Grail” and again in “The Diva’s
Lament”, her powerhouse vocals reigned supreme and the audience was enrapt by
not only her voice, but her charismatic characterization of the iconic Lady of
the Lake. Swindal is certainly a force to be reckoned with and it is easy to
see why she was cast in this role.
The
large, talented cast was bursting with energy and enthusiasm throughout; dancing
up a storm and singing their hearts out. Most played multiple roles changing
costumes every few minutes. It was clear from start to finish that they enjoy
performing this production and bringing lighthearted joy and laughter to the
audience.
While
being familiar with Monty Python is not necessary to enjoy this production, it
certainly helps you fully appreciate the humor. © SPAMALOT runs about 2 hours and 30 minutes including intermission
and plays Tuesdays-Sundays through October 9th. Tickets range from
$54-$79 with group rates available for groups 10 or more. The show contains
adult humor and profanity; it may not be suitable for all audiences. For
tickets or more information visit www.nsmt.org , call
978-232-7200 or visit the box office in person at 62 Dunham Rd. Beverly, MA.
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